The exhibition includes a new body of ceramic works from So’s ‘Woman’ stoneware series that draw upon early fertility idols and Venus figures celebrating the female form, alongside new Snuff bottle sculptures including a lemon, a nose, a poppy and a Pekingese dog. Inspired by the use of ceramics and glass in architecture and public spaces, she presents wall-based tiled works and has introduced stained-glass as a medium into her practice.

Renee So was born in Hong Kong in 1974 and grew up in Melbourne, Australia. So lives and works in London. Recent solo exhibitions include Provenance, Monash University Museum of Art, Melbourne, Australia and UNSW Galleries, Sydney, Australia (2023); Effigies and Elginisms, Cample Line, Thornhill, Scotland, UK (2022); Ancient and Modern, De La Warr Pavilion, Bexhill on Sea, UK (2019-20) and Bellarmines and Bootlegs, Henry Moore Institute, Leeds, UK (2019). Selected group exhibitions include Human Conditions of Clay, John Hansard Gallery, Southampton, UK and Chapter Gallery, Cardiff, Wales, UK (2021-22); London Making Now, Museum of London, UK (2021); Transparent Things, Goldsmiths CCA, London, UK (2020); The London Open, Whitechapel Gallery, London (2018) and One Day, Something Happens: Paintings Of People, The Arts Council Collection, Leeds Art Gallery, UK (2015). A new publication, Renee So: Provenance, was published in 2023 to accompany her major survey exhibition at Monash University Museum of Art. Opening in November 2024, So will have a solo exhibition at The Lowry in Salford, UK.